


Sydney • February 20, 2026 • 07:32

Sydney • 07:32
We craft world-class audio and music soundtracks in a space built for collaboration, artistry and community.
We craft world-class audio and music soundtracks in a space built for collaboration, artistry and community.

People are at the heart of why we do what we do.
People are at the heart of why we do what we do.
Music writers, composers, audio designers and producers championed and empowered — bringing them together with industry creatives to explore, experiment, and bring ideas to life. Creativity is our common language — a place that connects people. Where every project becomes a shared journey of artistic expression.
Services
SOUND DESIGN
AUDIO POST PRODUCTION
SONIC DIRECTION
BRAND SOUND STRATEGY
MUSIC COMPOSITION
MUSIC SUPERVISION
MIXING
AUDIO CONSULTING
SOUND RECORDING
Happening
LIVE MUSIC
YOGA ON ThE WATER
WORKSHOPS
COMMUNITY EVENTS
We craft world-class audio and music soundtracks in a space built for collaboration, artistry and community.

People are at the heart of why we do what we do.
Music writers, composers, audio designers and producers championed and empowered — bringing them together with industry creatives to explore, experiment, and bring ideas to life. Creativity is our common language — a place that connects people. Where every project becomes a shared journey of artistic expression.
Services
SOUND DESIGN
AUDIO POST PRODUCTION
SONIC DIRECTION
BRAND SOUND STRATEGY
MUSIC COMPOSITION
MUSIC SUPERVISION
MIXING
AUDIO CONSULTING
SOUND RECORDING
Happening
LIVE MUSIC
YOGA ON ThE WATER
WORKSHOPS
COMMUNITY EVENTS
STUDIO TONIC COMMUNITY

Laura-LeigH
SMITHLAURA-LEIGH (LU) IS OUR EXECUTIVE PRODUCER – A POCKET-ROCKET WITH A SHARP MUSICAL EAR, INSTINCTIVE STORYTELLING FLAIR, AND AN UNSHAKEABLE HABIT OF QUOTING FRIENDS. SHE HAS PRODUCED AUDIO AND MUSIC FOR GLOBAL BRANDS INCLUDING SAMSUNG, DISNEY+, AMAZON, PLAYSTATION, AUDIBLE, THE BBC AND THE UNITED NATIONS, AND THE MOLSON COORS’ SUPER BOWL COMMERCIAL. HER WORK HAS BEEN RECOGNISED BY D&AD, CLIOS, CICLOPE, SHOTS, THE BRITISH ARROWS, AND SHE IS A TWO-TIME RECIPIENT OF THE UK’S AUDIOBOOK PRODUCER OF THE YEAR.
A VOCALIST AND PERFORMER, LU HAS APPEARED AS A CONTESTANT ON THE VOICE AUSTRALIA, SUNG TO THE POPE AND STARRED IN MUSICAL THEATRE PRODUCTIONS ACROSS SYDNEY AND LONDON. SHE’S ALSO THE VOICE BEHIND AUSTRALIA’S ICONIC THREE-NOTE FLIGHT CENTRE JINGLE. LU CAN’T RESIST A GOOD HARMONY LINE – WHETHER IT’S ON A CLIENT DEMO, IN THE CAR, OR LAYERED SHAMELESSLY OVER THE OFFICE PLAYLIST (SORRY, TEAM).

SIMON
LISTERWHEN SIMON ISN’T TRAVELLING THE BEATEN TRACK ACROSS THE HIMALAYAS OR THE SAHARA DESERT ON A MOTORCYCLE, SIMON’S NORMAL LIFE IS AN AWARD-WINNING SOUND DESIGNER, A FILMMAKER, AND VISUAL AND SONIC STORYTELLER BASED IN SYDNEY, AUSTRALIA, RENOWNED FOR HIS ABILITY TO CRAFT EMOTIONALLY RESONANT SONIC EXPERIENCES AND PULL MONOS ON THE BACK WHEEL OF HIS DIRT BIKE. HIS CAREER HAS SHAPED THE AUDIO FOR GLOBALLY RECOGNISED CAMPAIGNS AND CINEMATIC BRAND STORIES. HIS ACCLAIMED WORK INCLUDES SOUND DESIGN AND MIX FOR HIGH-IMPACT PROJECTS SUCH AS THE UNITED NATIONS’ UN75 FILM, UNICEF’S GLOBAL BRAND FILMS AND PHOTOGRAPHY LIBRARY, AS WELL AS COMMERCIAL WORK FOR LEADING BRANDS INCLUDING HYUNDAI, AUSTRALIAN AIRFORCE, AAMI, TOYOTA, AIR NZ AND SONY.
BEYOND THE STUDIO, SIMON’S FILMMAKING AND PHOTOGRAPHY HAVE TAKEN HIM ACROSS THE WORLD, DOCUMENTING POWERFUL HUMAN STORIES FOR ORGANISATIONS LIKE THE UNITED NATIONS AND ITS AGENCIES—BLENDING IMAGE, EMOTION, AND SOUND INTO DEEPLY IMMERSIVE NARRATIVES. WITH A CAREER MARKED BY CREATIVE INTUITION AND A COMMITMENT TO AUTHENTIC STORYTELLING, SIMON CONTINUES TO INFLUENCE THE AUSTRALIAN AND GLOBAL SOUND-DESIGN LANDSCAPE AND THE DIRT TRACKS OF MONGOLIA WITH TIRE DIRT DENTS, SHAPING WORK THAT RESONATES LONG AFTER THE FINAL FRAME AND SUNSET.

JESSE
WATTJESSE COMPOSES AT THE INTERSECTION OF NEOCLASSICAL AND ELECTRONICA, EXPLORING NEW COLOURS AND TEXTURES TO CAPTURE THE ESSENCE OF A CHARACTER, FILM, OR BRAND. WITH MUSIC WRITTEN FOR OVER 260 BRANDS WORLDWIDE, HE HAS ACHIEVED MILLIONS OF STREAMS AND EARNED MULTIPLE AWARDS—ALL WHILE QUIETLY CREATING FROM HIS SYDNEY STUDIO.
HE HAS COLLABORATED WITH LEADING DIRECTORS, INCLUDING ACADEMY AWARD–WINNER JAMES REED AND NETFLIX’S ABRAHAM JOFFE, AND RECENTLY SCORED TWO FEATURE FILMS: THE WHITE MOUNTAIN AND THE OSCAR-SHORTLISTED (HOPEFULLY NOMINATED) TRADE SECRET. UNDER THE ALIAS BANKII, JESSE’S ELECTRONICA AND CLASSICAL WORKS HAVE BEEN FEATURED ON MAJOR SPOTIFY PLAYLISTS ALONGSIDE TOP GLOBAL ARTISTS.
HIS ACCOLADES INCLUDE BEST MUSIC AT SHEFFIELD ADVENTURE FILM FESTIVAL, SFS FILM FESTIVAL, AND ANTENNA DOC FEST. HE ALSO ARRANGED THE AUSTRALIAN NATIONAL ANTHEM WITH THE MELBOURNE SYMPHONY ORCHESTRA AND HAS PARTNERED WITH BRANDS SUCH AS NIKE, APPLE, AND GOOGLE. ALWAYS EVOLVING, JESSE CONTINUES TO PUSH NEW FRONTIERS IN MUSIC AND STORYTELLING.

GUY
BROWNGUY BROWN IS AN AWARD-WINNING COMPOSER AND PRODUCER SPECIALISING IN MUSIC FOR ADVERTISING AND TELEVISION. HAVING PREVIOUSLY WORKED AT SQUEAK E. CLEAN STUDIOS IN SYDNEY, HE IS NOW A FREELANCER FOR TOP SOUND HOUSES AROUND THE GLOBE.
UNDER HIS SOLO PROJECT MAMMALS, GUY HAS AMASSED OVER 50 MILLION SPOTIFY STREAMS, INCLUDING MORE THAN 21 MILLION STREAMS THROUGH COLLABORATIVE RELEASES WITH A RANGE OF INTERNATIONAL ARTISTS. HIS WORK HAS BEEN RECOGNISED BY TRIPLE J UNEARTHED, AND HE HAS PERFORMED AT MAJOR FESTIVALS INCLUDING LANEWAY FESTIVAL AND SPLENDOUR IN THE GRASS, SUPPORTING ACTS SUCH AS THE 1975, OF MONSTERS AND MEN, AND VERA BLUE.
ALONGSIDE HIS COMMERCIAL WORK, GUY CONTINUES TO DEVELOP ARTIST-LED PROJECTS, INCLUDING OH MY GUY, A LO-FI, CHARACTER-DRIVEN PROJECT ROOTED IN ANALOGUE TEXTURES, CLASSIC SONGWRITING, AND AN INTENTIONALLY UNDERSTATED, OLD-SCHOOL AESTHETIC.
Collaborator

EMMA
DUNCANWITH 17 YEARS IN THE INDUSTRY, EMMA HAS PRETTY MUCH DONE IT ALL… A DECADE AS HEAD OF PRODUCTION, A TALENT AGENT WRANGLING VOICE ARTISTS AND ON-CAMERA DIVAS (BOTH THE DELIGHTFUL AND THE DRAMATIC), A TV AGENCY & FILM PRODUCER, AND NOW BOLDLY STEPPING INTO HER NEXT CHAPTER AS CHIEF EXECUTIVE PRODUCER. ESSENTIALLY, SHE’S THE ENERGISER BUNNY OF PRODUCTION: SHE DOESN’T STOP, SHE DOESN’T SLOW DOWN, AND SHE DEFINITELY DOESN’T COME WITH AN OFF SWITCH.
EM HAS MADE A CAREER OUT OF HERDING INDUSTRY CHAOS, SHAPING WILD IDEAS INTO SHINY, AWARD-WINNING REALITIES ACROSS FILM, TV, SOUND, AND MUSIC.
WHETHER SHE’S WRANGLING TALENT, STEERING PRODUCTIONS ACROSS CONTINENTS, OR PUSHING BOUNDARIES IN SOUND AND MUSIC, SHE THRIVES ON COLLABORATION, LAUGHTER, AND MAKING THE IMPOSSIBLE LOOK SUSPICIOUSLY EASY. SHE LEADS WITH ENERGY, CREATIVITY, AND THE KIND OF UNSTOPPABLE MOMENTUM THAT KEEPS TEAMS INSPIRED, CLIENTS CALM, AND PROJECTS SAILING PAST THE FINISH LINE WITH STYLE—AND USUALLY WITH A VERY LARGE TEA IN HAND.
IN HER DOWNTIME, SHE JUGGLES THREE KIDS AND THEIR NEVER-ENDING SPORT AND SCHOOL ACTIVITIES (SHE’S FAIRLY CERTAIN SHE WORKS SOLELY TO FUND THEIR SPORTING CAREERS). SHE LOVES THE BEACH, ANYTHING ACTIVE, AND ANYTHING THAT GETS HER OUTDOORS—PREFERABLY WITH SUNSHINE AND MINIMAL REFEREE DUTIES.

EMMA
HOYAS OUR EXECUTIVE MUSIC DIRECTOR, EMMA HAS DELIVERED HUNDREDS OF HIGH-PROFILE PROJECTS ACROSS MUSIC, FILM, TV, STAGE AND ADVERTISING, INCLUDING THE SHIP SONG PROJECT (SYDNEY OPERA HOUSE), THE GREAT GATSBY, STRICTLY BALLROOM THE MUSICAL, AND NETFLIX’S THE GET DOWN. HER WORK HAS TAKEN HER TO NEW YORK, LA AND LONDON. SHE HAS PRODUCED SOUNDTRACKS THAT HAVE WON GOLD LIONS, LIAA, CLIOS, AWARD PENCILS OF EVERY COLOR AND APRA/AMCOS SCREEN AWARDS FOR ADVERTISING AND BEST SERIES SOUNDTRACK.
IN 2017, SHE CO-FOUNDED HER OWN CHARITY, SIGNAL CREATIVE, WORKING WITH FEMALE ARTISTS IN REMOTE AND REGIONAL COMMUNITIES WHERE SHE BRINGS TECHNICAL EXPERTISE AND ARTISTIC INSIGHT TO SUPPORT WOMEN TO DOCUMENT COMMUNITY STORIES THROUGH MUSIC, PODCASTING AND FILM. WHEN SHE’S NOT PRODUCING SOUNDTRACKS, SHE IS PLAYING IN HER BAND, LEARNING TO SURF, TEACHING AERIALS AND ON A LIFELONG JOURNEY TAMING HER POTTERY WHEEL.

JOSH
ABRAHAMSJOSH ABRAHAMS HAS THE DUBIOUS HONOUR OF BEING WIDELY EXPERIENCED IN ALMOST EVERY ASPECT OF MUSIC AND AUDIO. HE’S WRITTEN AND PRODUCED GLOBAL DANCE HITS, AS WELL AS INDIE AND POP CHART SMASHERS.
HE HAS SERVED AS MUSIC DIRECTOR FOR INTERNATIONAL THEATRICAL PRODUCTIONS, AND COMPOSED AND PRODUCED AWARD-WINNING WORKS FOR STAGE, FILM, ADVERTISING, TELEVISION, RADIO, BRANDING, AND MOST RECENTLY, VIDEO GAMES.
A SMALL LIST OF THE TITLES AND JOBS HE’S COLLABORATED ON INCLUDES: LG, H&R BLOCK, HENNESSY, DOVE SOAP, MOULIN ROUGE, BETTER MAN, THE SUNSCREEN SONG, ADDICTED TO BASS, TOURISM AUSTRALIA, SYDNEY NEW YEAR’S EVE FIREWORKS SHOW, THE ARTFUL ESCAPE, AND CURRENTLY, MIXTAPE.
Collaborator

EVAN
MCHUGHA GRAMMY, EMMY, ARIA AND APRA AWARD-WINNING MIXER, SONGWRITER AND RECORD PRODUCER WHOSE CREDITS SPAN SABRINA CARPENTER, FLUME, DUA LIPA, FKA TWIGS, WEEZER, ODESZA, KYLIE MINOGUE, CHET FAKER AND MANY OTHERS.
Collaborator

LYDIA
DAVISLYDIA IS A TWO-TIME GOLDEN TRAILER AWARD–WINNING AUSTRALIAN COMPOSER WHO CREATES BOLD, EMOTIONALLY CHARGED MUSIC FOR THE SCREEN: FROM HOLLYWOOD TRAILERS AND GLOBAL AD CAMPAIGNS TO PRIME-TIME TV AND STREAMING DOCUMENTARIES. BASED IN MELBOURNE, SHE’S A CLASSICALLY TRAINED PIANIST WITH A DEEP LOVE FOR POWERFUL MELODIES, CINEMATIC TEXTURES, AND MUSIC THAT CONNECTS.
HER WORK HAS FEATURED IN TRAILERS FOR WONDER WOMAN, BEAUTY AND THE BEAST, KILLERS OF THE FLOWER MOON, ASSASSIN’S CREED, PINOCCHIO, AND MAXTON HALL, AMONG OTHERS. SHE’S COMPOSED FOR GLOBAL BRANDS SUCH AS NINTENDO, MINECRAFT, JEEP, TOYOTA, KFC, AND L’ORÉAL, AND HER MUSIC APPEARS ACROSS AUSTRALIAN TV SHOWS LIKE HOME AND AWAY, THE VOICE, THE BLOCK, MARRIED AT FIRST SIGHT, MY KITCHEN RULES, AND BIG BROTHER.
SHE SCORED NETFLIX’S NUMBER ONE DOCUMENTARY MUM AND COMPOSED THE THEME FOR APPLE TV’S MAJOR LEAGUE BASEBALL COVERAGE.
WHEN SHE’S NOT COMPOSING, LYDIA’S MIXING SNACKS FOR HER TWO SMALL KIDS, SNEAKING MOMENTS OF CALM WHEN SHE CAN, AND IS ALMOST ALWAYS FIRST ON THE DANCE FLOOR. SHE’LL ALWAYS BE UP FOR A CHAT ESPECIALLY IF THERE’S A GOOD GLASS OF VINO INVOLVED.

CHARLIE
WHITECHARLIE IS A FREELANCE COMPOSER, PRODUCER, MULTI-INSTRUMENTALIST AND SONGWRITER BASED IN SYDNEY. HE SPENDS HIS DAYS PENNING MUSIC FOR FILM, TV AND BRANDS ACROSS THE GLOBE. YOU CAN HEAR HIS VERSATILE STYLE ON CAMPAIGNS FOR CLIENTS INCLUDING APPLE, GOOGLE, NETFLIX, META, SAMSUNG AND NINTENDO. HIS UNIQUELY CREATIVE APPROACH HAS SEEN HIM AWARDED AS A B&T 30 UNDER 30 CREATIVE FINALIST, AN AWARD FINALIST AND AN HONOREE FOR THE WEBBY AWARDS.
WORKING AS A MUSIC PRODUCER HE HAS BEEN ACTIVE IN THE SYDNEY AND UK SCENE, COLLABORATING WITH ARTISTS ACROSS THE GENRE DOMAINS OF POP, HIP HOP, COUNTRY, K-POP, ELECTRONIC AND INDIE. COLLABORATING CLOSELY WITH GLOBAL MUSIC PUBLISHERS, HE DEVELOPS ARTIST PROJECTS TAILORED FOR SYNC WITH SONGS HE’S WRITTEN AND PRODUCED, HAVING CHARTED UP TO NUMBER 13 IN THE UK CLUB CHARTS. TOURING NATIONALLY, HE’S SHARED STAGES WITH ARTISTS INCLUDING PNAU AND VERA BLUE. WHEN HE’S NOT IN THE STUDIO, HE ALSO TRIES TO SPEND ENOUGH TIME IN THE SUN…

JACKSON
LISTERJACKSON IS OUR SOUND DESIGNER AND COMPOSER – A MUSICALLY MINDED TINKERER WITH AN EAR FOR DETAIL AND A SOFT SPOT FOR ANY PIECE OF GEAR THAT LIGHTS UP, HUMS, OR MAKES A WEIRD NOISE. HE’S WORKED ACROSS A WILDLY DIVERSE SLATE OF PROJECTS, FROM NEW BALANCE AND MAJOR LEAGUE BASEBALL CAMPAIGNS, TO AUDIO INSTALLATIONS SHOWN IN THE LOUVRE IN PARIS. HE’S ALSO DONE GROUND-LEVEL WORK ON ALBUMS THAT HAVE COLLECTIVELY RACKED UP BILLIONS OF STREAMS, THOUGH HE’S TOO HUMBLE TO MENTION IT. WITH A “NO JOB TOO BIG, NO JOB TOO SMALL” ATTITUDE, JACKSON THRIVES ANYWHERE SOUND NEEDS SHAPING.
A LIFELONG SPORT LOVER AND PROUD GEAR NERD, HE CAN AND WILL DELIVER A TED-TALK-LENGTH DEEP DIVE ON HIS FAVOURITE GUITAR PEDALS AND SYNTHS. HE’S ENDLESSLY CURIOUS, DEEPLY COLLABORATIVE, AND CREDITS THE MANY MENTORS IN HIS ORBIT FOR SHAPING HIM INTO THE CREATIVE HE IS TODAY.

Laura-LeigH
SMITHLAURA-LEIGH (LU) IS OUR EXECUTIVE PRODUCER – A POCKET-ROCKET WITH A SHARP MUSICAL EAR, INSTINCTIVE STORYTELLING FLAIR, AND AN UNSHAKEABLE HABIT OF QUOTING FRIENDS. SHE HAS PRODUCED AUDIO AND MUSIC FOR GLOBAL BRANDS INCLUDING SAMSUNG, DISNEY+, AMAZON, PLAYSTATION, AUDIBLE, THE BBC AND THE UNITED NATIONS, AND THE MOLSON COORS’ SUPER BOWL COMMERCIAL. HER WORK HAS BEEN RECOGNISED BY D&AD, CLIOS, CICLOPE, SHOTS, THE BRITISH ARROWS, AND SHE IS A TWO-TIME RECIPIENT OF THE UK’S AUDIOBOOK PRODUCER OF THE YEAR.
A VOCALIST AND PERFORMER, LU HAS APPEARED AS A CONTESTANT ON THE VOICE AUSTRALIA, SUNG TO THE POPE AND STARRED IN MUSICAL THEATRE PRODUCTIONS ACROSS SYDNEY AND LONDON. SHE’S ALSO THE VOICE BEHIND AUSTRALIA’S ICONIC THREE-NOTE FLIGHT CENTRE JINGLE. LU CAN’T RESIST A GOOD HARMONY LINE – WHETHER IT’S ON A CLIENT DEMO, IN THE CAR, OR LAYERED SHAMELESSLY OVER THE OFFICE PLAYLIST (SORRY, TEAM).

SIMON
LISTERWHEN SIMON ISN’T TRAVELLING THE BEATEN TRACK ACROSS THE HIMALAYAS OR THE SAHARA DESERT ON A MOTORCYCLE, SIMON’S NORMAL LIFE IS AN AWARD-WINNING SOUND DESIGNER, A FILMMAKER, AND VISUAL AND SONIC STORYTELLER BASED IN SYDNEY, AUSTRALIA, RENOWNED FOR HIS ABILITY TO CRAFT EMOTIONALLY RESONANT SONIC EXPERIENCES AND PULL MONOS ON THE BACK WHEEL OF HIS DIRT BIKE. HIS CAREER HAS SHAPED THE AUDIO FOR GLOBALLY RECOGNISED CAMPAIGNS AND CINEMATIC BRAND STORIES. HIS ACCLAIMED WORK INCLUDES SOUND DESIGN AND MIX FOR HIGH-IMPACT PROJECTS SUCH AS THE UNITED NATIONS’ UN75 FILM, UNICEF’S GLOBAL BRAND FILMS AND PHOTOGRAPHY LIBRARY, AS WELL AS COMMERCIAL WORK FOR LEADING BRANDS INCLUDING HYUNDAI, AUSTRALIAN AIRFORCE, AAMI, TOYOTA, AIR NZ AND SONY.
BEYOND THE STUDIO, SIMON’S FILMMAKING AND PHOTOGRAPHY HAVE TAKEN HIM ACROSS THE WORLD, DOCUMENTING POWERFUL HUMAN STORIES FOR ORGANISATIONS LIKE THE UNITED NATIONS AND ITS AGENCIES—BLENDING IMAGE, EMOTION, AND SOUND INTO DEEPLY IMMERSIVE NARRATIVES. WITH A CAREER MARKED BY CREATIVE INTUITION AND A COMMITMENT TO AUTHENTIC STORYTELLING, SIMON CONTINUES TO INFLUENCE THE AUSTRALIAN AND GLOBAL SOUND-DESIGN LANDSCAPE AND THE DIRT TRACKS OF MONGOLIA WITH TIRE DIRT DENTS, SHAPING WORK THAT RESONATES LONG AFTER THE FINAL FRAME AND SUNSET.

JESSE
WATTJESSE COMPOSES AT THE INTERSECTION OF NEOCLASSICAL AND ELECTRONICA, EXPLORING NEW COLOURS AND TEXTURES TO CAPTURE THE ESSENCE OF A CHARACTER, FILM, OR BRAND. WITH MUSIC WRITTEN FOR OVER 260 BRANDS WORLDWIDE, HE HAS ACHIEVED MILLIONS OF STREAMS AND EARNED MULTIPLE AWARDS—ALL WHILE QUIETLY CREATING FROM HIS SYDNEY STUDIO.
HE HAS COLLABORATED WITH LEADING DIRECTORS, INCLUDING ACADEMY AWARD–WINNER JAMES REED AND NETFLIX’S ABRAHAM JOFFE, AND RECENTLY SCORED TWO FEATURE FILMS: THE WHITE MOUNTAIN AND THE OSCAR-SHORTLISTED (HOPEFULLY NOMINATED) TRADE SECRET. UNDER THE ALIAS BANKII, JESSE’S ELECTRONICA AND CLASSICAL WORKS HAVE BEEN FEATURED ON MAJOR SPOTIFY PLAYLISTS ALONGSIDE TOP GLOBAL ARTISTS.
HIS ACCOLADES INCLUDE BEST MUSIC AT SHEFFIELD ADVENTURE FILM FESTIVAL, SFS FILM FESTIVAL, AND ANTENNA DOC FEST. HE ALSO ARRANGED THE AUSTRALIAN NATIONAL ANTHEM WITH THE MELBOURNE SYMPHONY ORCHESTRA AND HAS PARTNERED WITH BRANDS SUCH AS NIKE, APPLE, AND GOOGLE. ALWAYS EVOLVING, JESSE CONTINUES TO PUSH NEW FRONTIERS IN MUSIC AND STORYTELLING.

GUY
BROWNGUY BROWN IS AN AWARD-WINNING COMPOSER AND PRODUCER SPECIALISING IN MUSIC FOR ADVERTISING AND TELEVISION. HAVING PREVIOUSLY WORKED AT SQUEAK E. CLEAN STUDIOS IN SYDNEY, HE IS NOW A FREELANCER FOR TOP SOUND HOUSES AROUND THE GLOBE.
UNDER HIS SOLO PROJECT MAMMALS, GUY HAS AMASSED OVER 50 MILLION SPOTIFY STREAMS, INCLUDING MORE THAN 21 MILLION STREAMS THROUGH COLLABORATIVE RELEASES WITH A RANGE OF INTERNATIONAL ARTISTS. HIS WORK HAS BEEN RECOGNISED BY TRIPLE J UNEARTHED, AND HE HAS PERFORMED AT MAJOR FESTIVALS INCLUDING LANEWAY FESTIVAL AND SPLENDOUR IN THE GRASS, SUPPORTING ACTS SUCH AS THE 1975, OF MONSTERS AND MEN, AND VERA BLUE.
ALONGSIDE HIS COMMERCIAL WORK, GUY CONTINUES TO DEVELOP ARTIST-LED PROJECTS, INCLUDING OH MY GUY, A LO-FI, CHARACTER-DRIVEN PROJECT ROOTED IN ANALOGUE TEXTURES, CLASSIC SONGWRITING, AND AN INTENTIONALLY UNDERSTATED, OLD-SCHOOL AESTHETIC.
Collaborator

EMMA
DUNCANWITH 17 YEARS IN THE INDUSTRY, EMMA HAS PRETTY MUCH DONE IT ALL… A DECADE AS HEAD OF PRODUCTION, A TALENT AGENT WRANGLING VOICE ARTISTS AND ON-CAMERA DIVAS (BOTH THE DELIGHTFUL AND THE DRAMATIC), A TV AGENCY & FILM PRODUCER, AND NOW BOLDLY STEPPING INTO HER NEXT CHAPTER AS CHIEF EXECUTIVE PRODUCER. ESSENTIALLY, SHE’S THE ENERGISER BUNNY OF PRODUCTION: SHE DOESN’T STOP, SHE DOESN’T SLOW DOWN, AND SHE DEFINITELY DOESN’T COME WITH AN OFF SWITCH.
EM HAS MADE A CAREER OUT OF HERDING INDUSTRY CHAOS, SHAPING WILD IDEAS INTO SHINY, AWARD-WINNING REALITIES ACROSS FILM, TV, SOUND, AND MUSIC.
WHETHER SHE’S WRANGLING TALENT, STEERING PRODUCTIONS ACROSS CONTINENTS, OR PUSHING BOUNDARIES IN SOUND AND MUSIC, SHE THRIVES ON COLLABORATION, LAUGHTER, AND MAKING THE IMPOSSIBLE LOOK SUSPICIOUSLY EASY. SHE LEADS WITH ENERGY, CREATIVITY, AND THE KIND OF UNSTOPPABLE MOMENTUM THAT KEEPS TEAMS INSPIRED, CLIENTS CALM, AND PROJECTS SAILING PAST THE FINISH LINE WITH STYLE—AND USUALLY WITH A VERY LARGE TEA IN HAND.
IN HER DOWNTIME, SHE JUGGLES THREE KIDS AND THEIR NEVER-ENDING SPORT AND SCHOOL ACTIVITIES (SHE’S FAIRLY CERTAIN SHE WORKS SOLELY TO FUND THEIR SPORTING CAREERS). SHE LOVES THE BEACH, ANYTHING ACTIVE, AND ANYTHING THAT GETS HER OUTDOORS—PREFERABLY WITH SUNSHINE AND MINIMAL REFEREE DUTIES.

EMMA
HOYAS OUR EXECUTIVE MUSIC DIRECTOR, EMMA HAS DELIVERED HUNDREDS OF HIGH-PROFILE PROJECTS ACROSS MUSIC, FILM, TV, STAGE AND ADVERTISING, INCLUDING THE SHIP SONG PROJECT (SYDNEY OPERA HOUSE), THE GREAT GATSBY, STRICTLY BALLROOM THE MUSICAL, AND NETFLIX’S THE GET DOWN. HER WORK HAS TAKEN HER TO NEW YORK, LA AND LONDON. SHE HAS PRODUCED SOUNDTRACKS THAT HAVE WON GOLD LIONS, LIAA, CLIOS, AWARD PENCILS OF EVERY COLOR AND APRA/AMCOS SCREEN AWARDS FOR ADVERTISING AND BEST SERIES SOUNDTRACK.
IN 2017, SHE CO-FOUNDED HER OWN CHARITY, SIGNAL CREATIVE, WORKING WITH FEMALE ARTISTS IN REMOTE AND REGIONAL COMMUNITIES WHERE SHE BRINGS TECHNICAL EXPERTISE AND ARTISTIC INSIGHT TO SUPPORT WOMEN TO DOCUMENT COMMUNITY STORIES THROUGH MUSIC, PODCASTING AND FILM. WHEN SHE’S NOT PRODUCING SOUNDTRACKS, SHE IS PLAYING IN HER BAND, LEARNING TO SURF, TEACHING AERIALS AND ON A LIFELONG JOURNEY TAMING HER POTTERY WHEEL.

JOSH
ABRAHAMSJOSH ABRAHAMS HAS THE DUBIOUS HONOUR OF BEING WIDELY EXPERIENCED IN ALMOST EVERY ASPECT OF MUSIC AND AUDIO. HE’S WRITTEN AND PRODUCED GLOBAL DANCE HITS, AS WELL AS INDIE AND POP CHART SMASHERS.
HE HAS SERVED AS MUSIC DIRECTOR FOR INTERNATIONAL THEATRICAL PRODUCTIONS, AND COMPOSED AND PRODUCED AWARD-WINNING WORKS FOR STAGE, FILM, ADVERTISING, TELEVISION, RADIO, BRANDING, AND MOST RECENTLY, VIDEO GAMES.
A SMALL LIST OF THE TITLES AND JOBS HE’S COLLABORATED ON INCLUDES: LG, H&R BLOCK, HENNESSY, DOVE SOAP, MOULIN ROUGE, BETTER MAN, THE SUNSCREEN SONG, ADDICTED TO BASS, TOURISM AUSTRALIA, SYDNEY NEW YEAR’S EVE FIREWORKS SHOW, THE ARTFUL ESCAPE, AND CURRENTLY, MIXTAPE.
Collaborator

EVAN
MCHUGHA GRAMMY, EMMY, ARIA AND APRA AWARD-WINNING MIXER, SONGWRITER AND RECORD PRODUCER WHOSE CREDITS SPAN SABRINA CARPENTER, FLUME, DUA LIPA, FKA TWIGS, WEEZER, ODESZA, KYLIE MINOGUE, CHET FAKER AND MANY OTHERS.
Collaborator

LYDIA
DAVISLYDIA IS A TWO-TIME GOLDEN TRAILER AWARD–WINNING AUSTRALIAN COMPOSER WHO CREATES BOLD, EMOTIONALLY CHARGED MUSIC FOR THE SCREEN: FROM HOLLYWOOD TRAILERS AND GLOBAL AD CAMPAIGNS TO PRIME-TIME TV AND STREAMING DOCUMENTARIES. BASED IN MELBOURNE, SHE’S A CLASSICALLY TRAINED PIANIST WITH A DEEP LOVE FOR POWERFUL MELODIES, CINEMATIC TEXTURES, AND MUSIC THAT CONNECTS.
HER WORK HAS FEATURED IN TRAILERS FOR WONDER WOMAN, BEAUTY AND THE BEAST, KILLERS OF THE FLOWER MOON, ASSASSIN’S CREED, PINOCCHIO, AND MAXTON HALL, AMONG OTHERS. SHE’S COMPOSED FOR GLOBAL BRANDS SUCH AS NINTENDO, MINECRAFT, JEEP, TOYOTA, KFC, AND L’ORÉAL, AND HER MUSIC APPEARS ACROSS AUSTRALIAN TV SHOWS LIKE HOME AND AWAY, THE VOICE, THE BLOCK, MARRIED AT FIRST SIGHT, MY KITCHEN RULES, AND BIG BROTHER.
SHE SCORED NETFLIX’S NUMBER ONE DOCUMENTARY MUM AND COMPOSED THE THEME FOR APPLE TV’S MAJOR LEAGUE BASEBALL COVERAGE.
WHEN SHE’S NOT COMPOSING, LYDIA’S MIXING SNACKS FOR HER TWO SMALL KIDS, SNEAKING MOMENTS OF CALM WHEN SHE CAN, AND IS ALMOST ALWAYS FIRST ON THE DANCE FLOOR. SHE’LL ALWAYS BE UP FOR A CHAT ESPECIALLY IF THERE’S A GOOD GLASS OF VINO INVOLVED.

CHARLIE
WHITECHARLIE IS A FREELANCE COMPOSER, PRODUCER, MULTI-INSTRUMENTALIST AND SONGWRITER BASED IN SYDNEY. HE SPENDS HIS DAYS PENNING MUSIC FOR FILM, TV AND BRANDS ACROSS THE GLOBE. YOU CAN HEAR HIS VERSATILE STYLE ON CAMPAIGNS FOR CLIENTS INCLUDING APPLE, GOOGLE, NETFLIX, META, SAMSUNG AND NINTENDO. HIS UNIQUELY CREATIVE APPROACH HAS SEEN HIM AWARDED AS A B&T 30 UNDER 30 CREATIVE FINALIST, AN AWARD FINALIST AND AN HONOREE FOR THE WEBBY AWARDS.
WORKING AS A MUSIC PRODUCER HE HAS BEEN ACTIVE IN THE SYDNEY AND UK SCENE, COLLABORATING WITH ARTISTS ACROSS THE GENRE DOMAINS OF POP, HIP HOP, COUNTRY, K-POP, ELECTRONIC AND INDIE. COLLABORATING CLOSELY WITH GLOBAL MUSIC PUBLISHERS, HE DEVELOPS ARTIST PROJECTS TAILORED FOR SYNC WITH SONGS HE’S WRITTEN AND PRODUCED, HAVING CHARTED UP TO NUMBER 13 IN THE UK CLUB CHARTS. TOURING NATIONALLY, HE’S SHARED STAGES WITH ARTISTS INCLUDING PNAU AND VERA BLUE. WHEN HE’S NOT IN THE STUDIO, HE ALSO TRIES TO SPEND ENOUGH TIME IN THE SUN…

JACKSON
LISTERJACKSON IS OUR SOUND DESIGNER AND COMPOSER – A MUSICALLY MINDED TINKERER WITH AN EAR FOR DETAIL AND A SOFT SPOT FOR ANY PIECE OF GEAR THAT LIGHTS UP, HUMS, OR MAKES A WEIRD NOISE. HE’S WORKED ACROSS A WILDLY DIVERSE SLATE OF PROJECTS, FROM NEW BALANCE AND MAJOR LEAGUE BASEBALL CAMPAIGNS, TO AUDIO INSTALLATIONS SHOWN IN THE LOUVRE IN PARIS. HE’S ALSO DONE GROUND-LEVEL WORK ON ALBUMS THAT HAVE COLLECTIVELY RACKED UP BILLIONS OF STREAMS, THOUGH HE’S TOO HUMBLE TO MENTION IT. WITH A “NO JOB TOO BIG, NO JOB TOO SMALL” ATTITUDE, JACKSON THRIVES ANYWHERE SOUND NEEDS SHAPING.
A LIFELONG SPORT LOVER AND PROUD GEAR NERD, HE CAN AND WILL DELIVER A TED-TALK-LENGTH DEEP DIVE ON HIS FAVOURITE GUITAR PEDALS AND SYNTHS. HE’S ENDLESSLY CURIOUS, DEEPLY COLLABORATIVE, AND CREDITS THE MANY MENTORS IN HIS ORBIT FOR SHAPING HIM INTO THE CREATIVE HE IS TODAY.

Laura-LeigH
SMITHLAURA-LEIGH (LU) IS OUR EXECUTIVE PRODUCER – A POCKET-ROCKET WITH A SHARP MUSICAL EAR, INSTINCTIVE STORYTELLING FLAIR, AND AN UNSHAKEABLE HABIT OF QUOTING FRIENDS. SHE HAS PRODUCED AUDIO AND MUSIC FOR GLOBAL BRANDS INCLUDING SAMSUNG, DISNEY+, AMAZON, PLAYSTATION, AUDIBLE, THE BBC AND THE UNITED NATIONS, AND THE MOLSON COORS’ SUPER BOWL COMMERCIAL. HER WORK HAS BEEN RECOGNISED BY D&AD, CLIOS, CICLOPE, SHOTS, THE BRITISH ARROWS, AND SHE IS A TWO-TIME RECIPIENT OF THE UK’S AUDIOBOOK PRODUCER OF THE YEAR.
A VOCALIST AND PERFORMER, LU HAS APPEARED AS A CONTESTANT ON THE VOICE AUSTRALIA, SUNG TO THE POPE AND STARRED IN MUSICAL THEATRE PRODUCTIONS ACROSS SYDNEY AND LONDON. SHE’S ALSO THE VOICE BEHIND AUSTRALIA’S ICONIC THREE-NOTE FLIGHT CENTRE JINGLE. LU CAN’T RESIST A GOOD HARMONY LINE – WHETHER IT’S ON A CLIENT DEMO, IN THE CAR, OR LAYERED SHAMELESSLY OVER THE OFFICE PLAYLIST (SORRY, TEAM).

SIMON
LISTERWHEN SIMON ISN’T TRAVELLING THE BEATEN TRACK ACROSS THE HIMALAYAS OR THE SAHARA DESERT ON A MOTORCYCLE, SIMON’S NORMAL LIFE IS AN AWARD-WINNING SOUND DESIGNER, A FILMMAKER, AND VISUAL AND SONIC STORYTELLER BASED IN SYDNEY, AUSTRALIA, RENOWNED FOR HIS ABILITY TO CRAFT EMOTIONALLY RESONANT SONIC EXPERIENCES AND PULL MONOS ON THE BACK WHEEL OF HIS DIRT BIKE. HIS CAREER HAS SHAPED THE AUDIO FOR GLOBALLY RECOGNISED CAMPAIGNS AND CINEMATIC BRAND STORIES. HIS ACCLAIMED WORK INCLUDES SOUND DESIGN AND MIX FOR HIGH-IMPACT PROJECTS SUCH AS THE UNITED NATIONS’ UN75 FILM, UNICEF’S GLOBAL BRAND FILMS AND PHOTOGRAPHY LIBRARY, AS WELL AS COMMERCIAL WORK FOR LEADING BRANDS INCLUDING HYUNDAI, AUSTRALIAN AIRFORCE, AAMI, TOYOTA, AIR NZ AND SONY.
BEYOND THE STUDIO, SIMON’S FILMMAKING AND PHOTOGRAPHY HAVE TAKEN HIM ACROSS THE WORLD, DOCUMENTING POWERFUL HUMAN STORIES FOR ORGANISATIONS LIKE THE UNITED NATIONS AND ITS AGENCIES—BLENDING IMAGE, EMOTION, AND SOUND INTO DEEPLY IMMERSIVE NARRATIVES. WITH A CAREER MARKED BY CREATIVE INTUITION AND A COMMITMENT TO AUTHENTIC STORYTELLING, SIMON CONTINUES TO INFLUENCE THE AUSTRALIAN AND GLOBAL SOUND-DESIGN LANDSCAPE AND THE DIRT TRACKS OF MONGOLIA WITH TIRE DIRT DENTS, SHAPING WORK THAT RESONATES LONG AFTER THE FINAL FRAME AND SUNSET.

JESSE
WATTJESSE COMPOSES AT THE INTERSECTION OF NEOCLASSICAL AND ELECTRONICA, EXPLORING NEW COLOURS AND TEXTURES TO CAPTURE THE ESSENCE OF A CHARACTER, FILM, OR BRAND. WITH MUSIC WRITTEN FOR OVER 260 BRANDS WORLDWIDE, HE HAS ACHIEVED MILLIONS OF STREAMS AND EARNED MULTIPLE AWARDS—ALL WHILE QUIETLY CREATING FROM HIS SYDNEY STUDIO.
HE HAS COLLABORATED WITH LEADING DIRECTORS, INCLUDING ACADEMY AWARD–WINNER JAMES REED AND NETFLIX’S ABRAHAM JOFFE, AND RECENTLY SCORED TWO FEATURE FILMS: THE WHITE MOUNTAIN AND THE OSCAR-SHORTLISTED (HOPEFULLY NOMINATED) TRADE SECRET. UNDER THE ALIAS BANKII, JESSE’S ELECTRONICA AND CLASSICAL WORKS HAVE BEEN FEATURED ON MAJOR SPOTIFY PLAYLISTS ALONGSIDE TOP GLOBAL ARTISTS.
HIS ACCOLADES INCLUDE BEST MUSIC AT SHEFFIELD ADVENTURE FILM FESTIVAL, SFS FILM FESTIVAL, AND ANTENNA DOC FEST. HE ALSO ARRANGED THE AUSTRALIAN NATIONAL ANTHEM WITH THE MELBOURNE SYMPHONY ORCHESTRA AND HAS PARTNERED WITH BRANDS SUCH AS NIKE, APPLE, AND GOOGLE. ALWAYS EVOLVING, JESSE CONTINUES TO PUSH NEW FRONTIERS IN MUSIC AND STORYTELLING.

GUY
BROWNGUY BROWN IS AN AWARD-WINNING COMPOSER AND PRODUCER SPECIALISING IN MUSIC FOR ADVERTISING AND TELEVISION. HAVING PREVIOUSLY WORKED AT SQUEAK E. CLEAN STUDIOS IN SYDNEY, HE IS NOW A FREELANCER FOR TOP SOUND HOUSES AROUND THE GLOBE.
UNDER HIS SOLO PROJECT MAMMALS, GUY HAS AMASSED OVER 50 MILLION SPOTIFY STREAMS, INCLUDING MORE THAN 21 MILLION STREAMS THROUGH COLLABORATIVE RELEASES WITH A RANGE OF INTERNATIONAL ARTISTS. HIS WORK HAS BEEN RECOGNISED BY TRIPLE J UNEARTHED, AND HE HAS PERFORMED AT MAJOR FESTIVALS INCLUDING LANEWAY FESTIVAL AND SPLENDOUR IN THE GRASS, SUPPORTING ACTS SUCH AS THE 1975, OF MONSTERS AND MEN, AND VERA BLUE.
ALONGSIDE HIS COMMERCIAL WORK, GUY CONTINUES TO DEVELOP ARTIST-LED PROJECTS, INCLUDING OH MY GUY, A LO-FI, CHARACTER-DRIVEN PROJECT ROOTED IN ANALOGUE TEXTURES, CLASSIC SONGWRITING, AND AN INTENTIONALLY UNDERSTATED, OLD-SCHOOL AESTHETIC.
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EMMA
DUNCANWITH 17 YEARS IN THE INDUSTRY, EMMA HAS PRETTY MUCH DONE IT ALL… A DECADE AS HEAD OF PRODUCTION, A TALENT AGENT WRANGLING VOICE ARTISTS AND ON-CAMERA DIVAS (BOTH THE DELIGHTFUL AND THE DRAMATIC), A TV AGENCY & FILM PRODUCER, AND NOW BOLDLY STEPPING INTO HER NEXT CHAPTER AS CHIEF EXECUTIVE PRODUCER. ESSENTIALLY, SHE’S THE ENERGISER BUNNY OF PRODUCTION: SHE DOESN’T STOP, SHE DOESN’T SLOW DOWN, AND SHE DEFINITELY DOESN’T COME WITH AN OFF SWITCH.
EM HAS MADE A CAREER OUT OF HERDING INDUSTRY CHAOS, SHAPING WILD IDEAS INTO SHINY, AWARD-WINNING REALITIES ACROSS FILM, TV, SOUND, AND MUSIC.
WHETHER SHE’S WRANGLING TALENT, STEERING PRODUCTIONS ACROSS CONTINENTS, OR PUSHING BOUNDARIES IN SOUND AND MUSIC, SHE THRIVES ON COLLABORATION, LAUGHTER, AND MAKING THE IMPOSSIBLE LOOK SUSPICIOUSLY EASY. SHE LEADS WITH ENERGY, CREATIVITY, AND THE KIND OF UNSTOPPABLE MOMENTUM THAT KEEPS TEAMS INSPIRED, CLIENTS CALM, AND PROJECTS SAILING PAST THE FINISH LINE WITH STYLE—AND USUALLY WITH A VERY LARGE TEA IN HAND.
IN HER DOWNTIME, SHE JUGGLES THREE KIDS AND THEIR NEVER-ENDING SPORT AND SCHOOL ACTIVITIES (SHE’S FAIRLY CERTAIN SHE WORKS SOLELY TO FUND THEIR SPORTING CAREERS). SHE LOVES THE BEACH, ANYTHING ACTIVE, AND ANYTHING THAT GETS HER OUTDOORS—PREFERABLY WITH SUNSHINE AND MINIMAL REFEREE DUTIES.

EMMA
HOYAS OUR EXECUTIVE MUSIC DIRECTOR, EMMA HAS DELIVERED HUNDREDS OF HIGH-PROFILE PROJECTS ACROSS MUSIC, FILM, TV, STAGE AND ADVERTISING, INCLUDING THE SHIP SONG PROJECT (SYDNEY OPERA HOUSE), THE GREAT GATSBY, STRICTLY BALLROOM THE MUSICAL, AND NETFLIX’S THE GET DOWN. HER WORK HAS TAKEN HER TO NEW YORK, LA AND LONDON. SHE HAS PRODUCED SOUNDTRACKS THAT HAVE WON GOLD LIONS, LIAA, CLIOS, AWARD PENCILS OF EVERY COLOR AND APRA/AMCOS SCREEN AWARDS FOR ADVERTISING AND BEST SERIES SOUNDTRACK.
IN 2017, SHE CO-FOUNDED HER OWN CHARITY, SIGNAL CREATIVE, WORKING WITH FEMALE ARTISTS IN REMOTE AND REGIONAL COMMUNITIES WHERE SHE BRINGS TECHNICAL EXPERTISE AND ARTISTIC INSIGHT TO SUPPORT WOMEN TO DOCUMENT COMMUNITY STORIES THROUGH MUSIC, PODCASTING AND FILM. WHEN SHE’S NOT PRODUCING SOUNDTRACKS, SHE IS PLAYING IN HER BAND, LEARNING TO SURF, TEACHING AERIALS AND ON A LIFELONG JOURNEY TAMING HER POTTERY WHEEL.

JOSH
ABRAHAMSJOSH ABRAHAMS HAS THE DUBIOUS HONOUR OF BEING WIDELY EXPERIENCED IN ALMOST EVERY ASPECT OF MUSIC AND AUDIO. HE’S WRITTEN AND PRODUCED GLOBAL DANCE HITS, AS WELL AS INDIE AND POP CHART SMASHERS.
HE HAS SERVED AS MUSIC DIRECTOR FOR INTERNATIONAL THEATRICAL PRODUCTIONS, AND COMPOSED AND PRODUCED AWARD-WINNING WORKS FOR STAGE, FILM, ADVERTISING, TELEVISION, RADIO, BRANDING, AND MOST RECENTLY, VIDEO GAMES.
A SMALL LIST OF THE TITLES AND JOBS HE’S COLLABORATED ON INCLUDES: LG, H&R BLOCK, HENNESSY, DOVE SOAP, MOULIN ROUGE, BETTER MAN, THE SUNSCREEN SONG, ADDICTED TO BASS, TOURISM AUSTRALIA, SYDNEY NEW YEAR’S EVE FIREWORKS SHOW, THE ARTFUL ESCAPE, AND CURRENTLY, MIXTAPE.
Collaborator

EVAN
MCHUGHA GRAMMY, EMMY, ARIA AND APRA AWARD-WINNING MIXER, SONGWRITER AND RECORD PRODUCER WHOSE CREDITS SPAN SABRINA CARPENTER, FLUME, DUA LIPA, FKA TWIGS, WEEZER, ODESZA, KYLIE MINOGUE, CHET FAKER AND MANY OTHERS.
Collaborator

LYDIA
DAVISLYDIA IS A TWO-TIME GOLDEN TRAILER AWARD–WINNING AUSTRALIAN COMPOSER WHO CREATES BOLD, EMOTIONALLY CHARGED MUSIC FOR THE SCREEN: FROM HOLLYWOOD TRAILERS AND GLOBAL AD CAMPAIGNS TO PRIME-TIME TV AND STREAMING DOCUMENTARIES. BASED IN MELBOURNE, SHE’S A CLASSICALLY TRAINED PIANIST WITH A DEEP LOVE FOR POWERFUL MELODIES, CINEMATIC TEXTURES, AND MUSIC THAT CONNECTS.
HER WORK HAS FEATURED IN TRAILERS FOR WONDER WOMAN, BEAUTY AND THE BEAST, KILLERS OF THE FLOWER MOON, ASSASSIN’S CREED, PINOCCHIO, AND MAXTON HALL, AMONG OTHERS. SHE’S COMPOSED FOR GLOBAL BRANDS SUCH AS NINTENDO, MINECRAFT, JEEP, TOYOTA, KFC, AND L’ORÉAL, AND HER MUSIC APPEARS ACROSS AUSTRALIAN TV SHOWS LIKE HOME AND AWAY, THE VOICE, THE BLOCK, MARRIED AT FIRST SIGHT, MY KITCHEN RULES, AND BIG BROTHER.
SHE SCORED NETFLIX’S NUMBER ONE DOCUMENTARY MUM AND COMPOSED THE THEME FOR APPLE TV’S MAJOR LEAGUE BASEBALL COVERAGE.
WHEN SHE’S NOT COMPOSING, LYDIA’S MIXING SNACKS FOR HER TWO SMALL KIDS, SNEAKING MOMENTS OF CALM WHEN SHE CAN, AND IS ALMOST ALWAYS FIRST ON THE DANCE FLOOR. SHE’LL ALWAYS BE UP FOR A CHAT ESPECIALLY IF THERE’S A GOOD GLASS OF VINO INVOLVED.

CHARLIE
WHITECHARLIE IS A FREELANCE COMPOSER, PRODUCER, MULTI-INSTRUMENTALIST AND SONGWRITER BASED IN SYDNEY. HE SPENDS HIS DAYS PENNING MUSIC FOR FILM, TV AND BRANDS ACROSS THE GLOBE. YOU CAN HEAR HIS VERSATILE STYLE ON CAMPAIGNS FOR CLIENTS INCLUDING APPLE, GOOGLE, NETFLIX, META, SAMSUNG AND NINTENDO. HIS UNIQUELY CREATIVE APPROACH HAS SEEN HIM AWARDED AS A B&T 30 UNDER 30 CREATIVE FINALIST, AN AWARD FINALIST AND AN HONOREE FOR THE WEBBY AWARDS.
WORKING AS A MUSIC PRODUCER HE HAS BEEN ACTIVE IN THE SYDNEY AND UK SCENE, COLLABORATING WITH ARTISTS ACROSS THE GENRE DOMAINS OF POP, HIP HOP, COUNTRY, K-POP, ELECTRONIC AND INDIE. COLLABORATING CLOSELY WITH GLOBAL MUSIC PUBLISHERS, HE DEVELOPS ARTIST PROJECTS TAILORED FOR SYNC WITH SONGS HE’S WRITTEN AND PRODUCED, HAVING CHARTED UP TO NUMBER 13 IN THE UK CLUB CHARTS. TOURING NATIONALLY, HE’S SHARED STAGES WITH ARTISTS INCLUDING PNAU AND VERA BLUE. WHEN HE’S NOT IN THE STUDIO, HE ALSO TRIES TO SPEND ENOUGH TIME IN THE SUN…

JACKSON
LISTERJACKSON IS OUR SOUND DESIGNER AND COMPOSER – A MUSICALLY MINDED TINKERER WITH AN EAR FOR DETAIL AND A SOFT SPOT FOR ANY PIECE OF GEAR THAT LIGHTS UP, HUMS, OR MAKES A WEIRD NOISE. HE’S WORKED ACROSS A WILDLY DIVERSE SLATE OF PROJECTS, FROM NEW BALANCE AND MAJOR LEAGUE BASEBALL CAMPAIGNS, TO AUDIO INSTALLATIONS SHOWN IN THE LOUVRE IN PARIS. HE’S ALSO DONE GROUND-LEVEL WORK ON ALBUMS THAT HAVE COLLECTIVELY RACKED UP BILLIONS OF STREAMS, THOUGH HE’S TOO HUMBLE TO MENTION IT. WITH A “NO JOB TOO BIG, NO JOB TOO SMALL” ATTITUDE, JACKSON THRIVES ANYWHERE SOUND NEEDS SHAPING.
A LIFELONG SPORT LOVER AND PROUD GEAR NERD, HE CAN AND WILL DELIVER A TED-TALK-LENGTH DEEP DIVE ON HIS FAVOURITE GUITAR PEDALS AND SYNTHS. HE’S ENDLESSLY CURIOUS, DEEPLY COLLABORATIVE, AND CREDITS THE MANY MENTORS IN HIS ORBIT FOR SHAPING HIM INTO THE CREATIVE HE IS TODAY.


